El hombre que no marca no baila

It really has been inspiring and a delight to take classes with these old milongueros. They are so funny and sweet, they share from their heart. They definitely have seen changes in tango.

We took a class with Manolo y Marta Anton and again it was more than just a step that we learned.

We had heard about the Salida of the 40’s but Manolo taught us the Salida of the 30’s, which looks the same! We tried to find out the differences between the 2 but that led to a discussion of the heart and not the step! So no answers to that yet. He also showed us a beautiful parada step. He and Marta went around to each couple, answered questions, danced with each of us, told us more stories! These figures start with the leader facing to the outside of the circle of the line of dance. He said that you don’t want to go towards the middle of the dance floor but in the direction that you are dancing. His style had a lot of dramatic bent knees.

He began dancing when he was 16 and he is 80+ years now. He says he pursued Marta for 16 yearsManolo y Marta Class!

Manolo reminded us that any step by itself is a pavada (translates as silliness) but it’s the person who dances and brings his heart to that step and to the dance that makes it look good.

He was adamant about not using your whole foot on the paradas or sandwiches, only the tip of your shoe, so you don’t look pigeon toed. We were reminded that we are connected as a couple through the sternum. A man who doesn’t marcar (translates as lead but meaning signal or convey the lead) doesn’t dance. This sounds much better in Spanish: El hombre que no marca no baila.

There seemed to be an ongoing theme this trip about personal identity or finding ones own identity in the dance or simply your own dance.

We are taking another class tomorrow with one of the judges. Rommel had time to chat with him informally this week and I am looking forward to sharing that with you.

 

 

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